I am a 3x Emmy nominee whose creative output helps shape culture, clarify purpose, and excite audiences. From true crime series to live event marketing to award-winning documentary promotion, I've touched a lot of projects. However, nothing happens in a vacuum, and none of this was done alone. It is talented, passionate and dedicated people that fuel this industry and I know and work with a lot of them.
I believe in precision — details matter. I believe in taking the unexpected route — if you already know where we're going when we set out, that's boring. I believe that the best way to capture your audience's attention is to showcase genuine and honest enthusiasm for the work.
I was brand-side at both MTV and National Geographic and have also worked on materials for other big brands seeking to reach those audiences. If you're looking to get something done in a visual medium, odds are good I can help figure that out.
I am a 3x Emmy nominee whose creative output helps shape culture, clarify purpose, and excite audiences. From true crime series to live event marketing to award-winning documentary promotion, I've touched a lot of projects. However, nothing happens in a vacuum, and none of this was done alone. I know and work with a lot of talented, passionate, and dedicated people. It is easy to get swept up in the big brands and high-profile projects, but it is people like myself and my colleagues who are the glue that holds this industry together.
I believe in precision — details matter. I believe in taking the unexpected route — if you already know where we're going when we set out, that's boring. I believe that the best way to capture your audience's attention is to showcase genuine and honest enthusiasm for the work.
I have been in this industry for over 18 years and have developed an extensive repertoire and contact list. I was brand-side at both MTV and National Geographic and have also worked on materials for big brands seeking to reach those audiences. If you're looking to get something done in a visual medium, odds are good I can help figure that out.
I bring an elevated, cinematic style to every project, big or small. Respect for the brand and its source material is paramount. An honest depiction of your project to your audience will keep them coming back for more.
Skills — Creative: story development, writing, editing, visual concepting. Strategy: campaign planning, positioning, audience insights. Leadership: team management, mentorship, cross-functional collaboration. Production: shoot direction, talent management, scheduling, delivery. Communication: copywriting, presentation, client relations.
Awards — 3x Emmy nominee, 20+ GEMA/Promax Awards, 6x Clio Award winner, 1x Golden Trailer Award... and counting
A note on generative AI: Like Photoshop, Premiere, and a run-of-the-mill hammer, I believe that generative AI is a tool, albeit a powerful one. A tool is meant to be used; it is meant to aid the one wielding it. However, you don't say to your hammer, "go make me a shelf." Likewise, the use of AI can be valuable in helping craft a concept or achieve results, but it by no means replaces the human element.
A note on generative AI:
Like Photoshop, Premiere, and a run-of-the-mill hammer, I believe that generative AI is a tool, albeit a powerful one. A tool is meant to be used; it is meant to aid the one wielding it. However, you don't say to your hammer, "go make me a shelf." Likewise, the use of AI can be valuable in helping craft a concept or achieve results, but it by no means replaces the human element.
A note on generative AI:
Like Photoshop, Premiere, and a run-of-the-mill hammer, I believe that generative AI is a tool, albeit a powerful one. A tool is meant to be used; it is meant to aid the one wielding it. However, you don't say to your hammer, "go make me a shelf." Likewise, the use of AI can be valuable in helping craft a concept or achieve results, but it by no means replaces the human element.
617.957.0214
Chris@TheChrisCosta.com